7 D&AD Pencil-winning pieces of copywriting that elevated design

“Copywriters can easily melt into the background,” says freelance writer and communications consultant, and D&AD Awards 2018 Jury President, Fiona Thompson. “We tend to listen more than we talk and you'll often find us sitting in the quietest part of the office, wearing noise-cancelling headphones.”

D&AD's Writing for Design category shines a light on these language-loving creatives, who have the power to influence, inform and change minds – all with a clever bit of copy. In celebration of their craft, we've uncovered seven D&AD Pencil-winning pieces of work that show the powerful influence words can have on a campaign, and what can be achieved when design and language work together in harmony.

The Slave Calendar
Published
15 March 2018

Geometry Global Cape Town and Ogilvy & Mather Cape Town gave voices to the tens of thousands of slaves who were torn from their homes and brought to South Africa, where they were renamed after the month in which they were arrived.The Slave Calendar tells these all but forgotten stories.

Agency: Geometry Global Cape Town and Ogilvy & Mather Cape Town.
​Client: Melody Kleinsmith

Wood Pencil / Writing for Design / Writing for Printed Materials & Graphic Communications / 2017

GetColeman.com

Copywriter Joe Coleman wrote no less than 60 iterations of the same piece of copy for his own website – ranging from shoulder-shruggingly soft to brutally hard sell. A slider lets users choose which tone of voice they’re after.

Agency: Joe Coleman Copywriting
​Client: Joe Coleman Copywriting

Graphite Pencil / Writing for Design / Writing for Websites / 2017

Could I Be Any Clearer?

These tongue-in-cheek Christmas cards, by adam&eveddb, look festive at first sight but carry a distinctly un-Yuletide message once recipients read further.

Agency: adam&eveDDB
​Client: Harvey Nichols

Wood Pencil / Writing for Design / Writing for Design / 2015

Talk Rugby Like A Pro

Clever copy is the hero of this Whybin\TBWA\DAN campaign, which uses stripped back graphic design to really let the language do its work.

Agency: Whybin/TBWA/DAN
​Client: New Zealand Media and Entertainment

Wood Pencil / Writing for Design / Writing for Design / 2015

A Picture Speaks a Thousand Words

There’s not an image to be seenin these promotional postcards for photographer Paul Thompson, which instead use words to describe his photographs. Each piece of copy was exactly 1,000 words and set to fit the proportions of the original image – encouraging recipients to visit his website to see the photograph described.

Agency: The Chase
Client: Paul Thompson Photography

Yellow Pencil / Writing for Design / Writing for Design / 2011

Corpoetics

To promote the writing side of a new creative partnership, Asbury & Asbury rearranged copy found on company websites to create haikus, limericks, ballads and syllabics that playfully subvert their source material.

Agency: Asbury & Asbury
​Client: Asbury & Asbury

Yellow Pencil / Writing for Design / Graphic Design / 2009

Cards Against Domestic Violence

The Joy Agency borrowed a Valentine’s Day tradition to get Australians discussing domestic violence. At first the cards seem to offer a typical saccharine message, but it's one that holds an entirely different sentiment on closer inspection.

Agency: The Joy Agency
Client: Domestic Violence NSW

Yellow Pencil / Writing for Design / Writing for Printed Materials & Graphic Communications / 2016

For more creative inspiration and the opportunity to get up close and personal with the world’s best design and advertising, get your tickets to D&AD Festival.

Published
15 March 2018