Magneto Magazine is the ultimate destination for car enthusiasts who appreciate the world's most exquisite collectable cars. The quarterly publication celebrates iconic cars with a bold and expressive design that matches the ground-breaking vehicles it showcases. Magneto offers unparalleled editorial quality, stunning visuals, and exclusive insights from industry experts. Each issue is a collectible treasure that brings the world's most coveted cars to life.

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Aston Martin’s new brand platform, Intensity.Driven., is designed to capture the human emotion of the driving experience and the performative luxury of the sports cars themselves. Long-form copy was always part of the overall brand strategy to evoke the sensation of driving an Aston Martin. Each piece of writing, whether for a brand film, print advert, or social film script, uses emotional, poetic language that is above all authentic to the brand.

Writer

Aston Martin – Intensity.Driven.

Charge Cars is a manufacturer and retailer of custom electric cars based on historic models. It is currently producing 499 vehicles based on the classic 67 Ford Mustang Fastback. Its R&D facility in West London serves as a production plant, a research centre, and a sales and administrative suite. The design approach had to take into account the working practices and marketing strategies of the organisation. From bespoke entrance lighting to an efficient factory floor, every area has been considered in relation to production ergonomics, branding,  working patterns, and customer experience.

Charge Cars R&D Facility, Stockley

The zero-energy media facade of the Novartis Pavillon combines organic photovoltaics and LEDs to create a communicative building skin. It features a total of 10,000 solar modules with 30,000 embedded LEDs, and consumes only as much power as it can produce. This visually multi-layered membrane was used to screen the works of three international artists. The Novartis Pavillon is located in Basel, Switzerland, and is a place of learning and exchange, to bring the world of science and medicine closer to the community.

Novartis Pavillon - Zero-Energy Media Facade

Told across six stories, Google's campaign shows people the inner workings of five elite security teams at Google, who are keeping more people safe online than anyone else in the world.

Hacking Google

24 Hours of Le Mans is the most prestigious endurance race. The stakes were high for Honda in the 2022 edition. If it won the race, it would become the most successful manufacturer in history. Unfortunately, Honda finished 3rd – and The Beautiful Fail is the story of that defeat. The project involved collecting engine oil from the bike that participated in the race and using it as ink to write the story. The campaign featured 24 screen-printed images capturing the joys, doubts, and disappointments of the team, which were accompanied by texts describing those pivotal moments. The screen-prints were given away as part of a 24-hour Instagram competition.

co-founder and CCO

The Beautiful Fail

Art Direction Judge Eugene Park, Global Creative Director, Cheil Worldwide and Photography Judge Stanley Wong, Creative Director, anothermountainman: “It’s a very emotional photography campaign.”

Eugene Park & Stanley Wong on The Beautiful Fail | Art Direction / Photography | D&AD Awards 2023

Have A Word highlights how misogyny can escalate to more violent acts. It puts the onus on men, challenging them to stop being a bystander and take action when they see sexist behaviour and harassment by their peers.

Founder

Founder and CCO

Have A Word

The Living Portrait of NYC – Eight Million Journeys is a large-format animated data visualisation exploring data behind life in the Big Apple.

The Living Portrait of NYC – Eight Million Journeys

The Orchestra Sinfonica di Milano is one of the most important orchestras in Italy. Its name was changed from LaVerdi to better express its deep connection to Milan. The new identity aims to feel as universal as music – one that conveys an emotional and modern sound. It had to focus on its all-important Milanese roots, while being simple and easy to use for all forms of communication.

Milano Orchestra Sinfonica

Branding Judge Jim Sutherland, Creative Director, Studio Sutherl&: “There have been quite a lot of sonic-activated and sonic-responsive logotypes or branding schemes [this year]. This is, for me, one of the best ones I've seen so far.”

Curation by Mark Nicholls