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D&AD Annual 2020

Feel the Power of Pro
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  • Visual EffectsCG

Country

  • United Kingdom

Client

  • PlayStation
  • Sony Interactive Entertainment

Chief Creative Officer

  • Richard Brim

Executive Creative Director

  • Mike Sutherland
  • Ant Nelson

Creative

  • Richard Gayton
  • Darren Beresford

Chief Production Officer

  • Anthony Falco

Senior Producer

  • Michael Macmillan

Assistant Producer

  • Charlotte Wickens

Chief Strategy Officer

  • Martin Beverley

Planning Director

  • David Mortimer

Chief Executive Officer

  • Mat Goff

Managing Partner

  • Sarah Coleman

Account Director

  • Adam Patel

Account Manager

  • Casey Nguyen

Global Business Director

  • Sybille Chrissoveloni

Global Account Director

  • Hannah Montaln

Head of Design

  • Paul Knowles

Senior Designer

  • Scott Silvey

Media Agency

  • Mediacom

Production Company

  • Academy

Executive Producer

  • Kate Galytska
  • Medb Riordan

Producer

  • Dulcie Kellett
  • Victoria Dubytska

Director

  • Frédéric Planchon

UK Production Manager

  • Gemma Priggen

D.O.P

  • Justin Brown

Editing Company

  • The Assembly Rooms

Editor

  • Sam Rice Edwards

Edit Assistant

  • Marnie Clark

Post Production

  • The Mill

Post Producer

  • Clare Melia

3D Lead Artist

  • Sam Driver

Colourist

  • Fergus McCall

Audio Post Production

  • 750mph

Sound Designer

  • Sam Ashwell

Service Company

  • Radioaktiv

Project Manager

  • Olya Avrahova

Project Coordinator

  • Natali Kit

Advertising Agency

  • adam&eveDDB

The realistic detail of PS4 Pro intensifies players’ emotional connection to their games. This film takes a powerful PlayStation moment and aims to make the audience experience the same heightened emotional state as the gamer. We follow the journey of water in reverse from a world fully submerged, to a single droplet rising upwards revealing the source - a tear from our player. He is overwhelmed by a powerful moment in Death Stranding on PS4 Pro.

Comment from D&AD Community

  • The PlayStation Water commercial by Frederic Planchon deserves to be mentioned, because the Mill took on a big challenge, and saw it through, leaning on the viewer's imagination to finish off the job in some shots – but that, to me, also answers the art of visual effects. So long as it creates the right magic, it works.

    Sophie Lebreton, Executive Producer, Mikros MPC