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D&AD Annual 2020

Storm the Court
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  • DirectionFilm Advertising
  • Film AdvertisingTV Commercials 61-120 seconds

Country

  • United States

Client

  • Reebok

Music & Sound

  • Barking Owl

Global Head of Marketing

  • Melanie Boulden

Senior Director Brand Marketing

  • Inga Stenta

Global Senior Brand Advertising and Retail Director

  • Amy Manganiello

Global Brand Advertising Manager

  • Caitlin Sullivan
  • Laura Whedon

Global Brand Advertising Associate Manager

  • Shelby Kreienberg

Senior Director Brand Management

  • James Woolard

Senior Manager Brand Management

  • Chris Strachan

Manager Brand Management

  • Ashley Tyler

Founder and Partner

  • Paul Venables

Executive Creative Director

  • Will McGinness
  • Aron Hjartarson

Creative Director

  • Ben West
  • Byron del Rosario
  • Chris Waitt

Senior Art Director

  • Allie Nordstrom

Art Director

  • Victor Roa

Senior Copywriter

  • Elliot Nordstrom

Copywriter

  • Sam Bauer

Producer

  • Michael Miller
  • Namrata Abhyankar
  • Julie Sawyer
  • KC Dossett
  • Claudia Guevara

Executive Producer

  • Melanie Fedunok
  • Kerstin Emhoff
  • Kelly Bayett
  • Carol Lynn Weaver

Composer

  • Jacob Plasse

Sound Engineer

  • AJ Murillo

Production Company

  • Prettybird

Finishing

  • Framestore

Editing

  • Exile

Director

  • Tom Noakes

Director of Photography

  • Larken Seiple

Editor

  • Shane Reid

Colorist

  • Alex Bickel

Sound Designer

  • Morgan Johnson

Advertising Agency

  • Venables Bell & Partners

Reebok needed to win over a young, influential audience, so it ignored the rules and championed the unexpected instead. In this film, a typical street basketball game takes a turn when a strange young woman in Reebok sneakers steps onto the court and unleashes a strange and contagious dance. Slowly the hypnotic boogie spreads from the court to the entire neighbourhood. The campaign results include a 45% YOY increase in Reebok’s revenue, a 21% YOY increase in website visits and a 179% increase in mentions across social.

Comment from D&AD Community

  • Personally, four works grab me by the collar more than others, on different levels. It's all simple ideas with perfect, simple executions, where the magic happens. Great talent makes complicated things look easy: Hope is Power for the Guardian, Wise Words for Comic Relief, Storm the Court for Reebok and The Underdogs for Apple. These works provoke intimate, related, unexpected emotions, and show great ability in creating narratives. Just perfect. You don't feel there's any extra or missing frames from the story. The craft attached to these projects attends to one of the most significant criteria for an award like D&AD. It moves the industry towards the future, where narratives will catch people's attention, as they have since stories were painted in walls and told around the fire.

    Ricardo Jones, Director, Stink Films London