Maria Popova is the curator of Brain Pickings, “a human-powered discovery engine for interestingness”. We asked Maria to pick out six indispensible books for lovers and creators of book design. Here’s what she chose, and why.
The Big New Yorker Book of Cats
“Dogs are not about something else. Dogs are about dogs,” Malcolm Gladwell proclaimed in the introduction to The Big New Yorker Book of Dogs, one of the best art books of 2012 and among the finest pet-related books of all time. Cats, on the other hand — despite their long history as literary muses, poetic devices, creative catalysts, and targets of artful grievances — are largely about something else, about some facet or other of our human needs, desires, and conceits: our relationships, our cities, our grappling with mortality.
The Big New Yorker Book of Cats is the highly anticipated feline sequel to last year’s canine edition — a shiny, well-fed tome that gathers the best cat-coddling articles, essays, short stories, poems, cartoons, covers, and other feats of literature and art from the New Yorker archives.
Interaction of Color: 50th Anniversary Edition
Hardly anyone has accomplished more in revolutionizing the art of seeing than German-born American artist, poet, printmaker, and educator Josef Albers, as celebrated for his iconic abstract paintings as he was for his vibrant wit and spellbinding presence as a classroom performer.
In 1963, he launched into the world what would become the most influential exploration of the art, science, psychology, practical application, and magic of color — an experiment, radical and brave at the time, seeking to cultivate a new way of studying and understanding color through experience and trial-and-error rather than through didactic, theoretical dogma.
Half a century later, Interaction of Color, with its illuminating visual exercises and mind-bending optical illusions, remains an indispensable blueprint to the art of seeing.
Lolita: Story of a Covergirl
“I am a slave of images,” Vladimir Nabokov declared through his character John Krug, the brilliant philosopher in Bend Sinister. In fact, the author himself — a man of notoriously strong opinions — was both a slave of images himself and an exacting master seeking to enslave them. He famously instructed publishers on how to — and how not to — cover his 1955 masterpiece Lolita, one of literary history’s most controversial classics:
Featuring a number of essays on the novel’s cover history, its evolving pop culture interpretations, and the challenging art of cover design, the book presents the most exhaustive and dimensional topography of Lolita’s cultural landscape examined through the lens of design and visual communication.
A Map of the World According to Illustrators and Storytellers
In A Map of the World According to Illustrators and Storytellers, the fine folks of Gestalten — who have a knack for pictorial magic and visual storytelling — collect more than 500 maps by artists, illustrators, and designers representing the creative zeitgeist of modern cartography around the world, ranging from the astoundingly accurate and detailed to the marvelously abstract and utopian.
Maurice Sendak: A Celebration of the Artist and His Work
Maurice Sendak is celebrated by many, myself included, as the greatest and most influential children’s book artist of the past century. A year after Sendak’s death comes Maurice Sendak: A Celebration of the Artist and His Work — the companion volume to the wonderful 2013 exhibition at New York’s Society of Illustrators, and also among the year’s best biographies, memoirs, and history books.
From rich essays by historians and artists who contextualize Sendak’s life and legacy to a selection of his best-loved and notable little-known illustrations, the book is a treasure trove of insight on Sendak’s spirit, sensibility, and evolution as an artist.
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