D&AD

Benchmarking and rewarding great ideas that are well executed and appropriate

Judges 2005





 

1. Television & Cinema Advertising

Television Commercials

1.01 Up to and including 10 seconds
1.02 Up to and including 20 seconds
1.03 Up to and including 30 seconds
1.04 Up to and including 40 seconds
1.05 Up to and including 60 seconds
1.06 Over 60 seconds
1.07 Television Campaigns

Television Sponsorship Credits

1.08 Television Sponsorship Credits/ Individual and Campaigns

Direct Response Television

1.09 Direct Response Television/ Individual and Campaigns

Cinema Commercials

1.10 Individual
1.11 Campaigns

Public Service & Charities

1.12 Individual
1.13 Campaigns

 

2. Non-English Language Television & Cinema Advertising

Advertising created in all languages other than English should be entered here. Commercials should be sub-titled or dubbed.
Television Commercials

2.01 Up to and including 10 seconds
2.02 Up to and including 20 seconds
2.03 Up to and including 30 seconds
2.04 Up to and including 40 seconds
2.05 Up to and including 60 seconds
2.06 Over 60 seconds
2.07 Television Campaigns

Television Sponsorship Credits

2.08 Television Sponsorship Credits/ Individual and Campaigns

Direct Response Television

2.09 Direct Response Television/ Individual and Campaigns

Cinema Commercials

2.10 Individual
2.11 Campaigns

Public Service & Charities

2.12 Individual
2.13 Campaigns

 

3. Television & Cinema Advertising Crafts

In this category the jury will be looking principally at the contribution the craft has made within the overall context of the work. Public service and charity commercials may be entered in this category, as may non-English language work (please sub-title or dub into English)
3.01 Direction
3.02 Cinematography
3.03 Use of Music
3.04 Writing
3.05 Animation
3.06 Editing
3.07 Special Effects
3.08 Sound Design
3.09 Model Making
 

4. Television & Cinema Graphics

4.01 Brand Identity
4.02 Title Sequences
4.03 Promotions/Stings/Programme Junctions
4.04 Television Sponsorship Credits
 

5. Music Videos

In Direction, the overall concept of the music video will be considered. With all other elements, the jury will be looking principally at the contribution the craft has made within the overall context of the work.
5.01 Direction
5.02 Cinematography
5.03 Animation
5.04 Special Effects
5.05 Editing
 

6. Radio Advertising

In 6.01 to 6.05 all components of the work will be considered.
In 6.06 and 6.07 the jury will be looking principally at the contribution the craft has made within the overall context of the work.
Public service and charity commercials may also be entered into 6.06 and 6.07.
6.01 Under 40 seconds
6.02 40 seconds and over
6.03 Campaigns
Public Service & Charities

6.04 Individual
6.05 Campaigns

Radio Crafts

6.06 Direction
6.07 Scriptwriting

 

7. Integrated Communication

This category can be entered by individual companies or as collaborations. Joint entries should be co-ordinated from one entry point and if the entry is a collaborative one, please list all companies involved on the project description. All entries must incorporate a range of media and contain at least three separate formats. For example, pick from three or more of the following: TV, radio, direct mail, ambient, interactive/ digital media, press, posters, corporate identity, graphic design, editorial, photography, product design or architecture.
7.01 Integrated Advertising
7.02 Integrated Design
7.03 Integrated Advertising and Design
 

8. Direct Mail

Please ensure that you include a sentence of explanation with your entry (e.g. a description of your brief). This sentence should be included on your Entry Label.
8.01 Low volume mailings (niche market, up to 10,000 approx.)
8.02 High volume mailings (mass market, over 10,000 approx.)
8.03 Inserts
8.04 Public Service & Charities
 

9. Ambient Media

This category incorporates all non-traditional media – entrants can submit more than one media if this aids demonstration of the campaign. Each entry must include a completed project description, which offers the to the entrant to convince the judges that theirs is a genuine entry.
9.01 Ambient Media
 

10. Interactive & Digital Media

Please ensure that you include a sentence of explanation with your entry (e.g. a description of your brief). This sentence should be included on your Entry Label.

10.01 Advertising
Entry can include banners, email, viral and online commercials, campaigns, and mobile advertising.

10.02 Games
For example, online games, offline games and mobile games

10.03 Entertainment
Entry can include websites, online and viral advertising, CD-ROM, DVD, Kiosk, installation and convergent forms of media

10.04 Public Service & Charities (includes Education)
This includes websites, online and viral advertising, CD-ROM, DVD, Kiosk, installation and convergent forms of media

10.05 Information
This includes websites, online and viral advertising, CD-ROM, DVD, Kiosk, installation and convergent forms of media

10.06 Arts
Entry here should include websites, online and viral advertising, CD-ROM, DVD, Kiosk, installation and convergent forms of media

 

11. Digital Crafts

In this category, the jury will be looking principally at the contribution the craft has made within the overall context of the work. Public service and charity work may be entered in this category. Media to be entered can include websites banners, email, viral and online commercials, mobile advertising, CD-ROM, DVD, Kiosk, installation and convergent forms of media, online, offline and mobile games.
11.01 Art Direction
11.02 Writing
11.03 Animation
11.04 Sound Design
11.05 Motion Graphics
11.06 Typography
11.07 Interface/ Navigation
11.08 Interaction
11.09 Illustration
 

12. Press Advertising

Consumer Magazines

12.01 Black and White
12.02 Colour

Newspapers

12.03 Black and White
12.04 Colour

Trade and Professional Magazines

12.05 Black and White 12.06 Colour

Campaigns

12.07 Newspapers
12.08 Consumer Magazines
12.09 Trade and Professional Magazines

Public Service & Charities

12.10 Individual
12.11 Campaigns

 

13. Non-English Language Press Advertising

Advertising in all non-English languages can be entered here. Advertisements should be sub-titled for entry.
Consumer Magazines

13.01 Black and White
13.02 Colour

Newspapers

13.03 Black and White
13.04 Colour

Trade and Professional Magazines

13.05 Black and White 13.06 Colour

Campaigns

13.07 Newspapers
13.08 Consumer Magazines
13.09 Trade and Professional Magazines

Public Service & Charities

13.10 Individual
13.11 Campaigns

 

14. Posters

14.01 Sidewalk/ Adshel
This includes 6 sheet posters (1800 x 1200mm), adshels, pedestrian audience

14.02 Medium Roadside/ Billboard
This includes 4 sheet posters (1524 height x 1016mm width), 16 sheet posters (3048 height x 2032mm width), portrait-dimension posters at roadside junctions

14.03 Large Roadside/ Billboard
This includes 48 sheet posters (3048 height x 6096mm width), 96 sheet posters (3048 height x 12192mm width), landscape-dimension posters at roadside junctions

14.04 Poster campaigns

Public Service & Charities

14.05 Individual
14.06 Campaigns

Transport and Specials

Public service and charity posters are also eligible here.

14.07 Transport
This includes bus-sides, taxi advertising, underground, metro or railway advertising and port or airport advertising

14.08 Specials
This includes electronic billboards, ultravisions, lenticulars, dot matrix systems, special builds and spectacolours Print Advertising (contd.)

 

15. Non-English Language Posters

15.01 Sidewalk/ Adshel
This includes 6 sheet posters (1800 x 1200mm), adshels, pedestrian audience

15.02 Medium Roadside/ Billboard
This includes 4 sheet posters (1524 height x 1016mm width), 16 sheet posters (3048 height x 2032mm width), portrait-dimension posters at roadside junctions

15.03 Large Roadside/ Billboard
This includes 48 sheet posters (3048 height x 6096mm width), 96 sheet posters (3048 height x 12192mm width), landscape-dimension posters at roadside junctions

15.04 Poster campaigns

Public Service & Charities

15.05 Individual
15.06 Campaigns

Transport and Specials

Public service and charity posters are also eligible here.

15.07 Transport
This includes bus-sides, taxi advertising, underground, metro or railway advertising and port or airport advertising

15.08 Specials
This includes electronic billboards, ultravisions, lenticulars, dot matrix systems, special builds and spectacolours Print Advertising (contd.)

 

16. Art Direction

In this category the jury will be looking principally at the contribution the advertising layout and design has made within the overall context of the work. All print advertising is eligible in this category, including public service and charity advertisements.
16.01 Individual
16.02 Campaigns
 

17. Writing for Advertising

In this category the jury will be looking principally at the contribution the writing has made within the overall context of the work. All print advertising is eligible in this category, including public service and charity advertisements.
17.01 Individual
17.02 Campaigns
 

18. Graphic Design

Graphic Design in all languages can now be entered here. Please supply a short translation for non-English language entries and/or include a brief description of purpose if necessary to the understanding of the piece.
18.01 Technical Literature
18.02 Brochures & Catalogues
18.03 Annual Reports
18.04 Leaflets
18.05 Direct Mail
18.06 Calendars
18.07 Self Promotional Items
18.08 Individual Posters (non music)
18.09 Poster Campaigns (non music)
18.10 Stationery Ranges (not major branding identities)
18.11 Individual Letterheads
18.12 Point-of-Sale Material
18.13 Any Other
For example, stamps, greeting cards, invitations
Music Packaging & Print Promotion

18.14 Promotional Posters
18.15 Individual Compact Discs, Tapes & Record Sleeves
18.16 Compact Discs, Tape & Record Sleeve Campaigns
18.17 Promotional Literature & Point-of-Sale Material

 

19. Corporate & Brand Identity

All entries must demonstrate a wide application of the identity, for example stationery, livery, signing, uniforms, promotion print, merchandising.
19.01 New Brand to Market Identity Schemes
19.02 Relaunched Brand Identity Schemes
19.03 Brand Building Identity Schemes
19.04 Symbols, Logotypes & Typefaces
 

20. Editorial & Book Design

All entries must demonstrate a wide application of the identity, for example stationery, livery, signing, uniforms, promotion print, merchandising.
20.01 Book Covers
20.02 Complete Books
20.03 Magazine Covers
20.04 Magazine Features
20.05 Complete Magazines
20.06 Complete Newspapers
 

21. Writing for Design

In this category the jury will be looking principally at the contribution the writing has made within the overall context of the work.
21.01 Writing for Design
 

22. Photography & Image Manipulation

In this category the jury will be looking principally at the contribution the image has made within the overall context of the work. Public service and charity advertisements may be entered into this category.
Photography & Image Manipulation for Advertising

22.01 Individual
22.02 Campaigns

Photography & Image Manipulation for Design

For example, editorial, reportage, still life, corporate
22.03 Individual
22.04 Series or Sequence

Photography & Image Manipulation for Self-Promotion

For example, web and interactive, corporate, editorial
22.05 Individual
22.06 Campaign, series or sequence

 

23. Illustration

In this category the jury will be looking principally at the contribution the illustration has made within the overall context of the work. Public service and charity advertisements may be entered into this category.
Illustration for Advertising

23.01 Individual
23.02 Campaigns

Illustration for Design

For example, editorial, self-promotional, corporate, packaging
23.03 Individual
23.04 Series or Sequence

 

24. Typography

In this category the jury will be looking principally at the contribution the typography has made within the overall context of the work. Public service and charity advertisements may be entered into this category.
Typography for Advertising

24.01 Individual
24.02 Campaigns

Typography for Design

For example, Editorial, Self-Promotional, Corporate, Packaging
24.03 Typography
24.04 Typeface Design

 

25. Packaging

25.01 Brand Label Individual Pack
25.02 Own Brand Individual Pack
25.03 Brand Label Range of Packaging
25.04 Own Brand Range of Packaging
25.05 Physical Shape
 

26. Product Design

In this category, the jury will be looking for evidence of invention, a consideration of global, cultural and environmental issues, and the user-friendliness of the product.

26.01 Products for the Home
For example, domestic appliances, lighting, domestic furniture, products for systems such as hi-fis or heating, DIY, hardware, toys and decorative products

26.02 Products for Work or Industry
For example, office equipment and furniture, computers, communications or security systems, vending machines and portable equipment

26.03 Products for Health or Leisure
For example, hospital or laboratory products, products for the disable, sports and exercise equipment, cameras, gardening and camping equipment

26.04 Products for the Environment
For example, street furniture, outdoor lighting and public service equipment

26.05 Products for Transport
For example, cars, trains, trucks, tractors, motorbikes, aeroplanes, bicycles, boats and public vehicles

 

27. Environmental Design & Architecture

27.01 Design for Retail & Services Outlets selling products or service, from fashion to banking, hairdressing to supermarkets

27.02 Design for Leisure & Tourism For example, sports environments, leisure attractions, arts venues, catering establishments, hotels

27.03 Residential Design For example, personal projects, conversions and restorations, flats, private estates, palaces, council or housing association housing and house boats

27.04 Design for Industry, Transport and the Workplace For example, offices, reception areas, meeting rooms, factories, warehouse, laboratories

27.05 Design for the Public Environment/ Community For example, school, universities and colleges, civic buildings, hospitals, ecclesiastical buildings, public spaces and monuments, public engineering projects, community centres, police and fire stations

27.06 Exhibition Design For example, permanent or temporary three-dimensional solutions for exhibition spaces

27.07 Applied Graphic Design For example, specific graphic solutions and/or signage programmes developed for environments including retail, leisure, exhibition and workplace interiors

 
Moving Image & Radio
1 Television & Cinema Advertising 2 Non-English Language Television & Cinema Advertising 3 Television & Cinema Advertising Crafts 4 Television & Cinema Graphics & Idents 5 Interactive Television 6 Music Videos 7 Viral Advertising 8 Radio Advertising
Integrated Communication, Direct Mail & Ambient Media
9 Integrated Communication 10 Direct Mail 11 Ambient Media
New Media
12 Interactive & Digital Media 13 Online Advertising 14 Digital Crafts
Print Advertising
15 Press Advertising 16 Non-English Language Press Advertising 17 Posters 18 Non-English Language Posters 19 Art Direction 20 Writing for Advertising
Graphic Design, Branding & Writing
21 Graphic Design 22 Corporate & Brand Identity 23 Editorial & Book Design 24 Writing for Design
Photography, Illustration & Typography
25 Photography & Image Manipulation 26 Illustration 27 Typography
3D Design
28 Packaging 29 Product Design 30 Environmental Design & Architecture
 

1 Television & Cinema Advertising

Feargal Ballance
DDB London

Nick Bell
JWT

Armando Bo
Therapy Films

Paul Brazier
Abbott Mead Vickers.BBDO

Fergus Flemming
M&C Saatchi

Anthony Goldstein
Wieden+Kennedy Amsterdam

Paul Gay
Paul Weiland Film Company

Glen Gibbins
Fallon London

Colin Hickson
Publicis London

Paul Hodgkinson
M&C Saatchi

Jerry Hollens
Rainey Kelly Campbell Roalfe/Y&R

Tony McTear
TBWA\London
Cris Mudge
Outsider

Dan Pawych
Downtown Partners

Russell Ramsey
Bartle Bogle Hegarty

Simon Robinson
WCRS

Matthew Saunby
Grey London

Tomas Skoging
ACNE Film

Emer Stamp
Miles Calcraft Briginshaw Duffy

Brian Turner
Clemmow Hornby Inge

Ben Walker
Wieden+Kennedy UK

Luke Williamson
Mother

Nick Worthington
Publicis Mojo Auckland

Ivan Zacharias
Stink
 

2 Non-English Language Television & Cinema Advertising

Carlos Bayala
Mother Argentina

Chanel Basualdo
Numero/Mia Films

Patrik Bergh
Partizan

Sergio Gordilho
Africa Propaganda
Oliver Green
FCB London

John Pallant
Saatchi & Saatchi London

Calvin Soh
Fallon Hong Kong
 

3 Television & Cinema Advertising Crafts

Leslie Ali
WCRS

Barsley
The Mill

Yann Elliott
Mother

Adam Foulkes
Nexus Productions
Andy Sheriff
Adelphoi

Vince Squibb
Lowe London

Parv Thind
Wave Recording Studios

Sean Thompson
Wieden+Kennedy UK
 

4 Television & Cinema Graphics & Idents

Tony Barry
Clemmow Hornby Inge

Tony Brook
Spin

Julian Harriman-Dickinson
Harriman Steel

Daniel Kleinman
Kleinman Productions
Martin Lambie-Nairn
Lambie-Nairn

Nick Livesy
RSA/Black Dog Films

Claudia Southgate
Bartle Bogle Hegarty

Kim Papworth
Wieden+Kennedy UK
 

5 Interactive Television

Peter Cowley
Endemol UK

Jamie Galloway
COI Communications

Anson Harris
Meme Digital

John Sinclair
UsTwo
Simon Smith
Weapon7

Emma Somerville
BBC Online & Interactive

Rory Sutherland
OgilvyOne Worldwide London

Jon Williams
Wunderman Interactive UK
 

6 Music Videos

Dick Carruthers
Metropolis Group

Richard Flintham
Fallon London

John Hardwick
Helen Langridge Associates

Liz Kessler
Island Records

Don Letts
Sebastian Marling
Blue Source

John Moule
Mute Records

Tim Nash
Atlanic Records

James Scroggs
MTV Networks Europe
 

7 Viral Advertising

Julian Andrews
Saatchi & Saatchi X

Robert Campbell
Outsider

Brian Campbell
TBWA\London

Mark Hunter
Wieden+Kennedy Amsterdam
Paula Marcantonio
Delaney Lund Knox Warren

Rob Potts
Mother

Malcolm Poynton
Ogilvy & Mather London

Ed Robinson
The Viral Factory
 

8 Radio Advertising

Paul Burke

Malcolm Duffy
Miles Calcraft Briginshaw Duffy

Ged Edmondson
McCann Erickson

Jon Elsom
Delaney Lund Knox Warren

Mark Hillman
Steve Hooper
Hooper Galton

Gavin Kellett
Publicis London

Mike McKenna
J Walter Thompson

Richard Russell
Ogilvy+Mather London
 

9 Integrated Communication

Tim Ashton
Antidote

Richard Bullock
180 Amsterdam

Tony Davidson
Wieden+Kennedy UK

Mark Fiddes
Euro RSCG London

Andrew Fraser
DDB London
Dan Germain
Innocent

Garrick Hamm
Williams Murray Hamm

Michael Johnson
johnson banks

Robert Nakata
72andsunny
 

10 Direct Mail

Eoghain Clarke
Saatchi & Saatchi London

Lu Dixon
EHS Brann

Ian Haworth
WWAV Rapp Collins

Shaun Mcllrath
Heresy Group

John Milne
OgilvyOne Dublin
Matt Morley-Brown
archibald ingall stretton…

Rebecca Rae
Craik Jones Watson Mitchell Voelkel

Trefor Thomas
RMG:Black Cat

Dave Woods
Claydon Healey Jones Mason
 

11 Ambient Media

Lee Boulton
WCRS

Anna Burles
Diabolical Liberties

Mick Mahoney
Mustoes

Steve Paskin
Lowe London
Ken Sara
Delaney Lund Knox Warren

Adam Tucker
DDB London

Peter Waibel
Jung von Matt Stuttgart

Alan Young
FCB London
 

12 Interactive & Digital Media

Hege Aaby
Sennep

Vassilios Alexiou
Lessrain

Farid Chaouki
Blue Goo

Andries Odendaal
Tom Roope
Tomato Interactive

Simon Sankaraya
All of US

Carsten Schwesig
Sony CSL
 

13 Online Advertising

Dave Bedwood
Lean Mean Fighting Machine

Peter Beech
Poke

Victoria Buchanan
Tribal DDB

Mark Chalmers
Strawberry Frog

Mark Collier
Dare Digital
Matthew Gibbins
Albion Brand Communications

Matias Palm-Jensen
FarFar

Sebastian Royce
Glue London

Simon Waldman
The Guardian
 

14 Digital Crafts

Ranzie Anthony
Tonic

Fred Flade
de-construct

Christian Grou
Neutral

Bob Pullum
AKQA
Alasdair Scott
Filter UK

David Streek
Playerthree

Paul Venables
Venables, Bell & Partners
 

15 Press Advertising

Amber Casey
Bartle Bogle Hegarty

Damon Collins
Mother

Matt Gooden
Wieden+Kennedy UK

Dylan Harrison
DDB London

Ben Kay
Abbott Mead Vickers. BBDO
Ben Priest
Rainey Kelly Campbell Roalfe/Y&R

Paul Silburn
TBWA\London

Hugh Todd
JWT

Dennis Willison
Saatchi & Saatchi London
 

16 Non-English Language Press Advertising

Sonal Dabral
Ogilvy & Mather Malaysia

Tim Delaney
Leagas Delaney

Eric Helias
Publicis Conseil

Sejo Kawaguchi
Tugboat

James Lowther
M&C Saatchi
Anna Qvennerstedt
Forsman & Bodenfors

Piyush Pandey
Ogilvy & Mather Mumbai

Mark Tweddell
Abbott Mead Vickers.BBDO

Guillermo Vega
Young & Rubicam Buenos Aires
 

17 Posters

Nick Allsop
DDB London

Bruce Bildsten
Fallon Mineapolis

Mike Boles
Rainey Kelly Campbell Roalfe/Y&R

Bil Bungay

Dave Masterman
Bartle Bogle Hegarty
Patrick McClelland
TBWA\London

Ed Morris
Lowe London

Tim Riley
Abbott Mead Vickers.BBDO

Simon Roseblade
Fallon London
 

18 Non-English Language Posters

Jim Bolton
HHCL/Red Cell

Craig Davis
JWT

Ann-Margit Igoni
Bob Helsinki

Erik Kessels
Kessels Kramer
Fernando Perez
FCB/Tapsa

Lyndy Stout
Shots

Spencer Wong
Oglivy & Mather Hong Kong
 

19 Art Direction

Lovisa Almgren
Abbott Mead Vickers.BBDO

Paul Cohen
Mother

Christian Cotterill
Euro RSCG London

Martin Galton
Hooper Galton

John Hegarty
Bartle Bogle Hegarty
Grant Parker
DDB London

Mark Reddy
McCann-Erickson London

Alexandra Taylor
Publicis London

Jureeporn Thaidumrong
Saatchi & Saatchi Thailand
 

20 Writing for Advertising

Jeremy Carr
Miles Calcraft Briginshaw Duffy

Brian Cooper
St. Luke’s

Sean Doyle
Campbell Doyle Dye

Justin Hooper
Euro RSCG London
Simon Veksner
DDB London

Mary Wear
Abbott Mead Vickers.BBDO

Dean Webb
McCann-Erickson

Matt Wheeler
Leo Burnett
 

21 Graphic Design

Mark Bonner
GBH

Lisa Careborg
Happy Forsman & Bodenfors

Ian Cartlidge
Cartlidge Levene

Theseus Chan
Work

Shaun Dew
Dew Gibbons

Alan Dye
NB: Studio

Daniel Eatock
Boy Meets Girl S&J

Bryan Edmondson
SEA

Jonathan Ellery
Browns

Laurent Fetis

Lizzie Finn
James Goggin
Practise

Nat Hunter
Airside

Angela Lorenz

Morag Myerscough
Studio Myerscough

Quentin Newark
Atelier Works

Amelia Noble
KerrNoble

Ben Parker
Made Thought

Gina Rose
Rose+Hopp Design

Adrian Shaughnessy
This is Real Art

Katja Thielen
Together Design
 

22 Corporate & Brand Identity

Sabine Bockting-Reinhardt
Reinhardt grafisch ontwerp

Ben Casey
The Chase Manchester

Brian Eagle
Unreal

Gary Holt
Lambie-Nairn
Nina Jenkins
The Partners Design Consultants

Sharon Werner
Werner Design Werks

Marina Willer
Wolff Olins
 

23 Editorial & Book Design

Roger Black
Danilo Black

Tony Chambers
Wallpaper*

Andy Cowles
IPC Magazines

Mark Farrow
Farrow Design
Fernando Gutiérrez
Pentagram Design

Tom Hingston
Tom Hingston Studio

Anne Odling-Smee
OSB Design

Micha Weidmann
 

24 Writing for Design

Patrick Baglee
EHS Brann

Lise Brian
The Chase Manchester

Martin Hennessey
The Writer

Tom Lynham
Neil Patterson
The Little Monkey

Greg Quinton
The Partners Design Consultants

Lisa Smith
Browns
 

25 Photography & Image Manipulation

Paul Graham

Alison Jackson

Nick Meek

Justin Tindall
DDB London
Ben Stockley

Matthew Stuart

Steve Williams
Lowe London
 

26 Illustration

Rosie Arnold
Bartle Bogle Hegarty

Paul Davis
Big Orange

Anne Howeson
Royal College of Art

Frith Kerr
KerrNoble
Darrel Rees
Heart

Simon Spilsbury

Lawrence Zeegen
University of Brighton
 

27 Typography

Dan Beckett
Clemmow Hornby Inge

Andy Dymock
Therapy Films

Yara Khoury
Al Mohtaraf Assaudi
Wladimir Marnich

Michael C Place
Build

David Wakefield
Campbell Doyle Dye
 

28 Packaging

John Blackburn
Blackburn’s

Philip Carter
Carter Wong Tomlin

Fiona Curran
Williams Murray Hamm

Pip Dale
Brandhouse WTS
Allison Miguel
Ziggurat Brand Consultants

Graham Shearsby
Design Bridge London

Joanne Thomas
Jupiter Drawing Room Cape Town
 

29 Product Design

Adrian Berry
Factory Design

Colin Burns
Martach Consulting

Adrian Caroen
Seymour Powell

Joe Ferry
Virgin Atlantic
Libby Sellars
Design Museum

Bill Sermon
Nokia

Sohrab Vossoughi
Ziba
 

30 Environmental Design & Architecture

Steve Chilton
Marks Barfield Architects

Simon Conder
Simon Conder Associates

Gareth Davies
Pentland Brands

Mark Dytham
Klein Dytham Architecture
Maciek Jurkowski
Jurkowski Design

Shona Kitchen
Royal College of Art

Tim Molloy
Science Museum

Ian Sharratt
Pringle Richards Sharratt Architects